How do we identify the parts of the things? how do we create everything from those parts? (specially, in processes that science uses in order to visualize objects). The concept of system in the culture of images.

Magicians in 19th century the real users of new technologies for interactive illusions. Alchemy of Light is a multimedia project which links illusionism of 19th century and current new technologies.

What is happening in classic filmic theory now that new factors are being introduced, specially in scientific films. Elkins suggests to use these films for showing problems with contemporanean filmic teories.

A tour round multimedia creation through several history periods (fix and moving images), from theatre of Chinesse Shadows until contemporary expressions of society and culture.

A tour round multimedia creation through several history periods (fix and moving images), from theatre of Chinesse Shadows until contemporary expressions of society and culture.

Baroque period seen by its painting and the figure of Athanasius Kircher, collector and inventor of optic instruments.

Baroque period seen by its painting and the figure of Athanasius Kircher, collector and inventor of optic instruments.

The development of semantic technologies in order to get to the visual web, one step beyond in the daily information.

The development of semantic technologies in order to get to the visual web, one step beyond in the daily information.